Thursday, May 22, 2025

@TomCruise Mission Impossible VIII

I saw an ad for a special showing of the new Mission Impossible VIII movie. This one was supposed to be for IMAX with no trailers beforehand – not that I mind watching trailers, really, if I get there on time to see them. Sometimes they’re sort of interesting; but I wanted to show Tom, not that he’s ever really going to notice, that I  – *I* am a particularly loyal fan; and of course *I* would go to a *special* fan show.


I fantasize a lot about Tom. In this fantasy, he was going to pick out the first person to book the fan show in every theater in the country and then choose one at random to meet and it would be me. LOL


That didn’t happen. Not that I really thought it would.


And, naturally, because I always am, I was late. I was afraid I was going to miss part of the beginning of the movie, but it turned out there was at least one trailer. I saw it. It was a Superman trailer. I didn’t know they were coming out with another Superman movie. It wasn’t with Chris Reeve – it couldn’t have been – he’s dead after all; and before that he was paralyzed. I know a lot of people like Cavill. I see him come up quite often as a suggested video on Instagram. They must realize that a lot of people who are interested in Tom Cruise, like me, also are interested in him; but I’m not, really, because I haven’t seen one of his Superman movies. Maybe I should.


There is sort of a tradition that bad things happen to actors who play Superman. If I do go to the new Superman movie, and something bad happens to that actor, it’s going to be painful; if I get attached to him, which I suppose I would. That’s the whole idea. Superman is really intense beefcake.


Anyway, I saw a bit of the end of the Superman trailer, which reassured me that I hadn’t missed any of Mission Impossible VIII, though of course I did later, when I had to go to the bathroom. I’m an old lady. I have to go to the bathroom once an hour. A two hour and 49 minute movie means that I’m going to have to go to the bathroom a couple of times. That means I miss things.


They started out by saying the movie had been made for IMAX, so they were glad I was seeing it in IMAX. Most of the way through the movie, I realized that the seat I had chosen was probably not ideal for watching the full experience. I tend to sit in the back corner, because I’m a germaphobe. I figure there’s nobody breathing on me in the back corner. Therefore I’m less likely to get sick. I was also wearing a mask.


Actually, I needed the mask, because the theater was freezing – for warmth. I was wearing a heavy winter vest — also a sweater and heavy socks. I was happy that I found some fingerless gloves in the pocket of the vest, to help me feel less freezing. I really noticed I was cold when Tom was scuba diving in the Arctic Ocean. I thought maybe they made the theater freezing so we would feel sympathy for Tom as he was getting so cold; but it stayed freezing even when he changed his location to a warmer, sunnier climate; so maybe the low temperatures were not intentional. Who knows?


Tom is really into authenticity. Do you think he really swam wearing only shorts in the icy waters under the polar ice cap? That would be like him. Do you think he really went down to 500 feet below the surface and then swam up naked? hopefully it wasn’t that authentic. Shiver.


They didn’t emphasize, in the pre-movie publicity, how cold the water was. There were photographs of him wearing shorts deep under the water. I assumed that was so we would have a chance to view the work he did on his arms and legs with the bodybuilding. He did a good job with that. He was looking a little tubby after the shutdown. I guess he got depressed and ate a lot; like a lot of other people. However, he worked it off. I wonder if he used Ozempic? Or a similar drug? Probably not. He’s really into health and authenticity. He probably lost the weight the old-fashioned way.


But, as I was watching Tom, freezing in the Arctic Ocean, and freezing myself in the theater, I started wondering whether the stunts with him hanging off of an airplane, which we saw in the pre movie publicity, were actually a red herring. I’m not sure if they’ve ever done that. Do they create stunts for an actor to do to intrigue the audience, without those stunts actually being in the movie? I was really becoming persuaded that that was the case, but eventually we did get the stunt where he’s hanging off the airplane, so it wasn’t a red herring.


I was very happy to see that they corrected one obvious error in the previous movie. In the previous movie, they said they would have to destroy the source code to destroy the entity. As a former programmer, I thought that was nonsense. You need the source code to modify a program. Very few programs run by real time interpretation of source code. That would just not be very effective for such a powerful AI device as we are led to believe that entity is. In this movie, they say they have to modify the source code to create a modified entity. That is technically correct.


I was disappointed after the last movie that the McGuffin — a cruciform key – looked really fake. It certainly didn’t look like a piece of computer equipment. However, they did explain here that the key was supposed to open a lock to a vault that contain the source code, which made more sense – though it really still didn’t look like a real key. It looked like a children’s toy. Tom, with all his attention to authenticity, chose a really fake looking McGuffin.


I noted before and complain again about the fact that there are allowed to be men with gray hair in Tom’s movies, but no women with gray hair. He did at least bring in Angela Bassett as the president. She is actually in her 60s, according to the Internet, so we actually got an older woman, which is good. But she didn’t let us see any gray hair. She was wearing a wig or something.


I noticed, in the pre-movie publicity, that they had a party where Haley Atwell showed up and was pawing Tom. Interestingly, they had Rebecca Ferguson do that in at least one of those parties before a prior Mission Impossible. Hayley Atwell has made very clear that she’s not involved with Tom. Indeed, I believe she became engaged during the last movie — to somebody else. Moreover, she resented the fact that so many people were inferring that she was dating Tom because she was his costar in this movie. She pointed out, which is really true, that this is really harassing to imply that a woman is having sex with her boss. In the previous movie, there was no hint that her character was going to be involved romantically or sexually with Tom‘s character, or if there was, I missed it. Here, though, there is some of that.


I guess having Haley be physically flirtatious and touching Tom in a sensual way is one of the things they do for pre-film publicity. I don’t think he was ever involved with Rebecca Ferguson either.


In this movie they have Tom surrounded by women. There’s Haley Atwell; there’s the Asian martial arts expert; Angela Bassett; and an Inuit woman. After the movie, I like to watch the credits. I do this to see how many women are in the movie behind the scenes. I am gradually seeing an increase in the number of women; but it’s still vastly majority men.


Interestingly, they’re still having the Asian lady, Pom Klementieff, speak French, and then everybody just understands her; with no explanation of why they may understand French. I remember seeing a comment in the publicity for the last movie, that they chose to have that actress perform in French, which is her native language, because she acted better in that language. They did subtitle her French language commentary; however, when the Inuit woman spoke, they did not subtitle her. That seems odd, because a lot more people know French than know Inuit. 


They had a fair amount of flashbacks to old Mission Impossible movies. I thought that was so cool. There were images of Tom as a very young actor. His face has changed a lot. They also had at least one character come back from a previous movie who we haven’t seen in forever. He’s gone from being a dorky young man to being quite a graceful, attractive, older scientist, who is nevertheless still a nerd.


That’s something I’ve noticed about Tom also – and a lot of older performers. As they gain more experience, they gain more skill and subtlety in their performances. I tend to watch more singers than I watch movies. I noticed, for instance that both Neil Diamond and Dolly Parton have much improved stage presence over their younger selves. Whereas, the younger Tom would just sort of shout or bark lines and be intense all the time, the older Tom is more reflective. His voice is more subtle and nuanced. His voice has, as with so many men, gotten deeper with age. He’s really able to use it to growl and rumble, in a quiet, but dramatic, way. 


In the last movie, he really had a lot of crepey skin on his neck and big bags under his eyes. I don’t know what happened to that. His neck looks smoother. He has some wrinkles around his eyes, but not bags. He always swore he would never have plastic surgery. Still, I wonder if he has. It’s also possible that they can do amazing things with make up


One of my complaints about Mission impossible VII was that Tom looked so depressed. One of the things that I really like about Tom is that he is always, or at least most of the time, having a lot of fun when he acts. There can be suspense. I can be afraid for his safety. I can see stress on his face during those high drama action scenes. Yet, I know he’s having fun. He’s told us so. But I think it comes through. You can tell that he’s just having the time of his life, even though his character is really in serious danger and pain. I feel that Tom’s movies are fun to watch because he’s having fun.


 I especially noticed that in The Mummy. That is a horror movie. It should be terrifying; and there were scary scenes when the mummy lady was trying to kill him; but I never felt so deeply terrified as I usually do in horror movies. It was fun to watch, because I knew that, deep down, despite the suspense, Tom was having fun.


That’s part of what was so disappointing about Mission Impossible VII.  It just felt really depressing, because Tom seemed was depressed. Here, he has a grim determination– and you can see that there’s a certain amount of pessimism there; but there’s not that deep depression. I think the deep depression may have come from how much he disliked the shutdown. 


That shows how we’re different, he and I. I loved the shutdown. I loved the downsizing of my life and discovering zoom and not dining in restaurants, so I lost 10 pounds. Tom gained weight during the shutdown. I lost weight. It’s back on, now. That’s upsetting. Tom has gotten his super trim again.


Nevertheless, despite the fact that he looks good, when you look at his hands, you can see the age in them. That’s something I think it’s very hard to hide is the age of hands.


They have said this is the last mission impossible movie. Maybe so, but there’s sort of a hint that this might not in fact be the end.


When I came back from my second restroom break, I decided not to go back into the back corner of the theater. The theater was fairly empty. I had pretty much my choice of seats. I ended up going to the middle of the theater. I figured since Tom had made a big point of the fact that he made this movie for IMAX, I really should try to experience the IMAX fully, which I wasn’t doing so much when I was up in the back corner and behind the last speaker. So, yes, it did make a difference to sit in the theater center, because the sound was better there. Also, of course, the picture in front was bigger; tho somehow it didn’t seem as big as the first time I saw IMAX long ago. They’ve made all these theaters a lot smaller. The screen just didn’t seem to be that big. Therefore, even though this was an IMAX theater, and even though it was, supposedly, a special fan showing, I don’t think it was exactly what Tom intended.


Naturally, of course, all of the camera work, lighting, scenery, costumes were highly professionally done. The action was tight. It held my attention, for sure. Curiously, sometimes I put my arms in the air because it seemed to make it easier to deal with the stress of the suspense.


Even though he films all over the world, there is something so very quintessentially Hollywood about Tom. He spent his whole adult life just totally immersing himself with every aspect of cinema. It was interesting that they chose him to represent the film industry, and the city of Los Angeles, at the Olympics. There’s something about a really tough notch, Hollywood film, that just is peerless. That was definitely in evidence here.


Even though I love fantasizing about Tom, I know that we’re very different people and in all likelihood we wouldn’t be at all compatible. I think of him as being a jock and myself as being a nerd. Look at how long this blog is becoming! Yet, when it comes to cinema, he is very much of a nerd, as well. He knows and wants all the very best movie making technology in his films. That comes through.


Wednesday, April 16, 2025

The Duke's Masked Bride -- Pocket FM

My goodness. I certain got sucked into a rabbit hole.  

It started with me watching the teaser video, which came up as an extended ad during another video.



This is an extended advertisement for an audio series.  You watch the video and then you want to know what happens so you subscribe to the service & pay to watch episodes.

Curiously, the over 80 of the episodes are on YouTube.  

This is the highest number episode I watched so far, #86.  It's really an audio series, so the video is just stills clipped from the teaser video and applied to different events.


This is the lowest numbered one that I watched, #36



For the most part, they have the link to the next episode displayed on the screen near the end of the current video, tho sometimes they fake you out and show you a different video, so you lose the chain and have to search around for the one you want.

Each episode is about five minutes long.  It ends with a bunch of questions that need to be answered in the subsequent videos.  It begins with the questions from the previous video, leaving maybe two minutes of action in each video.

During the course of my watching, the time period covered by all the videos was maybe three days.  It's very soap opera - like with a lot of melodrama.

The costumes are historical, but the dialog is not.  For instance, they use 20th century slang, such as "cool," which are inconsistent with the costumes that look like the 19th century.  Also, the young women clearly know the facts of life, which 19th century women in English language culture did not.  They were mostly kept ignorant of sex and it would take them by surprise when it happened.

Also the words s*** and f*** are used frequently, which would not have been the case in 19th century culture in mixed company.

I'm pretty sure that these short dramas are coming out of China, so there are awkwardnesses due to their lack of knowledge of our culture.

In any case, it really sucked me in. I binged watched all this stuff over the course of 2 days.

The story is a bit like Cinderella in that the daughter of the first wife is abused by the stepmother and stepsister -- tho, unlike Cinderella, there's only one wicked stepsister, not two, and the father is depicted as abusive as well.  Moreover, the mother of the lead is reputed, not to be dead, but to have run away.  One wonders if she may show up at some point.

In any case, the lead female -- why has her name escaped me? --  has a scarred face and has to hide it with a mask.  Also, the subsequent abuse is focused on the fact that her face is scarred.

The lead male, Edgar Collins, is not a prince, but a duke, who is, nevertheless, fabulously wealthy and a close friend of the king.  He is, at the beginning, the most eligible bachelor in high society -- and there is a lot of pressure on him to marry, but he is repelled by the women who pursue him.  He is mysteriously struck with the masked woman, despite knowing that there is some deformity of her face and choses her out of the whole crowd of pursuers. He is mysterious and seems to be dangerous, yet very chivalrous towards his betrothed and later bride. 

She is the daughter of a baron, in any case, and therefore of suitable social position, tho she lives her life sequestered, imprisoned in fact, due to her facial deformity.

There is a lot of violence and a fair amount of blood.  There are hints of sex but you don't see it.  Edgar can kill lower ranked people with impunity, apparently, because of his rank, whenever he decides they deserve it.

After a while, one becomes suspicious that the mysterious Edgar is really a very good man, in many respects, even though he seems violent and dangerous.  Also, he sees through the evil stepmother and stepsister (Kate) rather quickly.  In my experience, men are often not so able to see when women are being manipulative and lying, but this guy can.

Curiously, as I was watching the episodes, I saw a teaser for the series again, same script, different actors.  That was odd. There were a lot of comments asking the production company to create video episodes with live actors instead of slide shows of stills from the original teaser -- with some other stills slipped in.  I wonder if they will do that.   

Curiously, also, the audio portion referred to the female lead as being brunette, while the actress who portrayed her in the teaser was blond.

I did some acting in a vertical dramas.  Those did seem to have endings.  This podcast series does not seem to be likely to end.  It seems like they could drag it on forever, just like a soap opera.

I gather from the comments, that the youtube channel is coming up with one episode in this series per week -- but there are also other series and I don't know how they work.  

In any case, this was very addictive -- and I lost a lot of sleep over it.  I hope I manage to stay away from the other dramas, as I don't want to pay for the stuff.




Tuesday, April 15, 2025

@BoopTheMusical @officialdfoster @angelicahale


I only vaguely remember the Betty Boop comics.  I’ve been told that there are historical videos on YouTube.  I never got around to watching those before seeing this show.  A friend asked me what this musical was about and I couldn’t say.  I had seen a trailer.  I knew that David Foster was involved.  I knew Angelica Hale was in it.  That was all I needed to know. I told her that I expected it to have a lot of singing and dancing and that the music was likely to be good, because Foster was involved.

*****

David Foster

I first learned about David Foster, because I was a huge Grobanite.  Josh was originally signed by Foster.  Josh told stories of his initial interactions with Foster.  Later I read an autobiography, I saw more and more YouTube videos featuring him.  I went to one of his concerts with his wife, Kat McPhee, last spring.

Foster intrigues me.  He is a huge genius.  He was playing piano with adult musicians when he was 6.  He has done accompaniment, production, arrangement, conducting, and promotion for many famous singers other than Josh: Celine Dion, Andrea Bocelli, Whitney Houston, Blake Shelton, Michael Jackson, Michael Bolton .. and more, He has 16 Grammys and 47 nominations.  

When my brother graduated from college, there was a speaker named Marian Wright Edelman.  That’s a thing with college graduations.  They give honorary degrees to people who they want to have speak at graduation.  The only thing I remember from her speech went something like this “There is no end to the good we can do, if we let someone else take the credit.”

Foster is a master of this.  He was told early in his career that, while he is a brilliant pianist, his stage presence when playing is not great — also his singing hasn’t been great, tho it’s improving, I’ve noticed.

So, he finds these singers. They stand in front of his piano.  They have beautiful voices.  They have great charisma.  They distract the audience. He sits behind the piano and plays and conducts the orchestra. His ear is said to be so sensitive that he can hear a butterfly in  a hurricane. He has often composed and/or arranged the music.  He seldom has sheet music.  It’s all from memory.  Sometimes he shouts out praise for the singer before or after the song.  He introduces them with flowery introductions.  He gets the audience to be fans of the singer.

Yet, all the while, he is the genius.  He is the puppeteer behind the scenes.  People are on to him, tho.  He’s been invited to judge TV talent shows in Asia.

People have been asking him to write a musical for a long time and he's said he was working on it.  He finally did.  Yet, if you look at the program, he’s just one name amongst many, credited with writing the music — while others are credited for lyrics, production, acting — whatever.  Yet, despite his lack of prominence in the program, I believe he was really the mastermind here.  

And this is where he thrives.  His concerts with his wife, where it’s mostly just the two of them, haven’t had the popularity of some of the other performers that he’s promoted.  He’s self-effacing.  He’s doing exactly what Marian Wright Edelman said to do.  He’s letting everyone else take the credit -- except he generally does get a fair amount of money

Apparently, Foster was in the audience, but I went to the restroom before leaving the theater, so I missed him.  I'm an old lady.  I have to be mindful of restrooms. Also, I was in the back of the balcony -- as usual -- because I feel that is least germy.  I think germs are heavier than air and tend to fall away from the balcony.  I'm pretty sure he was in the orchestra, so I likely would have missed him anyway.  I met a young fan afterwards at the stage door who said she had shaken his hand.


Angelica Hale

Another person I was interested in was Angelica Hale.  I’m not a music producer, and the sound on YouTube videos is not that great.  Therefore, other than the fact that she was cute, I wasn’t quite sure why the talent show judges were so very enthused about her singing when she was a child.  But I have an acquaintance on X who was also very enthused about her.  He and I have a shared interest in child prodigy singers.

She has been very persistent in pursuing her music.  She has a YouTube channel.  She puts out videos.  She appears on the videos of her voice teacher, Tara Simons, who reviews singers online, and has become something of a celebrity herself.   And she managed to book this role — the child or adolescent who is a longtime fan of Boop, 100 years after Boop first appeared in the comics.  I watch her on YouTube.

I don’t know how to say this politely, but she has an enormous mouth.  I hope she doesn't think I'm insulting her by saying that.  It's a professional advantage, I think. If I could open my mouth that wide, I would probably be a better singer as well.  


******

So this is why I went: Foster & Hale.

I wasn’t sure that was a good reason to be at opening night of previews of a new Broadway musical.  A friend assured me that it was.


*********

Sound

If you’ve been reading this column for a long time, you know that I have sensitive ears.  The audio is generally the first thing that I comment on, so I might as well just do that and get it over with -- even tho I think it was the only flaw in the show, which was otherwise excellent.  Starting out with the negative is not good psychology, I know -- but here goes.

The orchestra was too loud.  It was uncomfortable to listen to.  I don't ordinarily have this problem on Broadway.  It's an issue with concert tours, but not usually on Broadway.  

The volume of the orchestra was a particular problem with hearing the lyrics when the star, Jasmine Amy Rogers, was singing.  

She has mastered a sound that was very like the sound of early sound recordings from the first talkies.  People sang higher then.  

High singing has all but disappeared, because modern audio technology clips the overtones of sopranos, so they don't sound good.  This is one of the ways that the music industry -- like so many other industries -- discriminates against women.  I've even noticed it being a problem with Josh Groban.  For years I thought he was losing his edge in singing, particularly high notes, then I realized recently that it was just that the audio technology was clipping his overtones.

But there was also a slightly different accent back then in the early talkies -- and a slight scratchy sound.

She had all of that down -- very impressive -- but, unfortunately, not loud enough to be heard clearly over the orchestra.

It should be noted that the Broadhurst, while a Broadway theater, is somewhat smaller than some others, so sound carries better, which is probably why the orchestra sounded too loud -- but the sound balance between Rogers and the orchestra is for the audio engineers.

I saw their setup when I went down to the restroom just before intermission.  Very impressive panel with lots of controls and lights.  I didn't say anything to them, tho. I didn't want to distract them during the show.


*******

OK, let's get back to the show


************

General Description

How to describe this surprisingly complex show?  It's about the comic strip.  It's a musical, of course.  There's a sci-fi aspect.  There's a coming of age story.  There are sub-plots about overcoming political corruption and sexual harassment. There are two romances.  There is fantastic puppetry. The sets are often computer generated on a screen, tho there are props.  It's light and joyful.  There is no high drama suffering or breathtaking suspense. The music, aside from being loud, has grandeur.  

We live in very serious times. It was nice to have something light and fluffy to watch.

I'm never quite sure what is a spoiler.  If you don't want to know details about the show you could stop here.  I'm going to start with some of the tricks they used to convey plot elements.  I don't know how many of the plot elements were actually in the original comics.  Maybe, if you're a Boop fan, you already know the story.  I've found that with the Marvel Comics movies.  My son will tell me that the story was following the comic books.  He knows this, somehow, because he's a master of trivia and he remembers all kinds of details about these things.  


******


Colors & Worlds:

The show deals with two worlds.  

One is the world of Betty Boop, a black and white comic strip story.  In this world, everything is black and white, and even the characters are made a bit paler by makeup -- tho they don't actually put on pancake makeup to make their skin really white or grey.  The props and costumes are black and white.  The background screen is old timey animation.

The other world is "reality" which happens in 2025 in New York City. Reality is in color.  This is sort of like the Wizard of Oz, where Kansas is black and white and Oz is in color.  

She travels from one world to the other using sci-fi contraptions that look very like early movie and comic strip conceptions of sci-fi machines.  The obvious fakeness of the gadgets does not distract from the show, because it's true to the context: old time comic strips and movies.

The colors of the costumes, when Boop arrives in reality, are very bright.  She has to learn the colors, as she has never seen colors before.  

Later, there is a wonderful dance where the dancers have costumes that are colorful on one side and black and white on the other, with some having the black & white on the back and others on the front.  When they do this dance, they switch which direction they are facing to symbolize which world they are representing.  I thought this was very clever.  [later found this instagram video showing this]


One curious thing is that people in "reality" seem to have no trouble believing that this is really Betty Boop out of the comics.  Also, there never seems to be an issue that she wouldn't have any real money or need a place to stay.  Those sorts of real reality issues kind of call into question whether she has actually voyaged to reality -- or rather just another comic strip.  

One item of suspense is that Betty Boop's world cannot exist without her -- therefore everyone there is imperiled by her absence.


Puppetry:

Boop's dog is represented by a marionette.  They don't hide the marionettist at all.  He's right there with the dog puppet -- tho he generally keeps his face down, looking at the puppet -- and wears solid, dark colors including a baseball style cap.  Yet the little dog is marvelous -- so convincing and cute.  He is well lit to draw attention away from the operator.  I feel this puppetry was probably the best I've ever seen.  If you're a fan of puppetry, it would be worth going to see the show just for this -- seriously, maybe even if you're not a particular fan of puppetry.


Romance:

There are 2 couples that fall in love between the two worlds. Boop falls for a young jazz musician in reality.  The professor, who invented the time machine and visited reality before, falls in love with a female scientist who he first met on his first voyage.  This is a second sort of suspenseful thing that arises during the show.  Are these lovers star crossed?  More later


Coming of Age:

This is where Angelica Hale came in.  She plays a young fan of Boop.  When Boop arrives in reality, she pops in at Comic Con -- fortuitously -- the one place where a comic book character would be totally expected.  And, fortuitously, the first person who sees her is a Boop fan.  

I've never actually been to Comic Con.  I have no idea how many Boop fans are out there.  It's an old comic.  It doesn't seem likely that there are a huge number of Boop fans, but this girl is definitely a fan.  She's all decked out with Boop pix and immediately recognizes Boop.

Boop ends up going home with her. She learns that the girl is a talented painter -- and she encourages the girl to follow her talent rather than trying to become Boop.

Then Hale has a solo.  

Now, was it because I was specifically interested in Hale and listened more closely?  Was I prejudiced by that?  

But I feel she was really extraordinary.  I could hear what the judges heard in her -- a sound that does not come through in YouTube videos at all -- a powerful sound, with rich overtones and magnificent vibrato.  While the orchestra made Rogers hard to hear, there was no such problem with Hale.  Hale's voice rang out like a clarion.  I wondered if she really even needed a mic.  Broadway performers tend to have good voices but she was a standout.

It's not clear how old this character is.  Hale herself is 17.  Maybe the character is 17 as well, because she's applying to Cooper Union.  

But she doesn't come off as old as she is. She's very short.  She's very deferential towards Boop.  She's told not to take the subway alone.  The impression is definitely of a child fan.

So it's particularly startling that this huge voice comes out when she sings -- clearly not the voice of a child -- he voice an adult master singer and great artist.  

I feel so hesitant to become her fan.  I know she has a transplanted kidney.  Those don't last as long as original kidneys.  I fear that I'm looking at a potential tragedy here.

Still, for now, there is this star quality voice -- definitely expecting her to be up there with the all time greats.

I met her after the show. I told her I watch her youtube channel.  She thanked me. She is very gracious. She definitely comes across as 17 when you meet her in person -- despite her small stature.  She signed my program. I got a bunch of signatures, so I'm not sure which was her.  

This is not to take away from Rogers, who is a great performer as well.  As I mentioned, Rogers was trying to imitate a particular sound from the early days of talkies.  She is perfectly capable of projecting -- and she does more later in the show -- perhaps to show evolution of character.

I didn't see Hale doing much dancing -- not sure if that's one of her talents.  

This whole experience is helping me see a big defect of the TV talent shows.  I can't hear, in a YouTube video, what the judges hear.  I don't know why they go wild over particular performers.  When I heard Hale in person, it was different.  Suddenly, the extraordinary quality of her voice was apparent.


****

Restrooms

Restrooms are only in the basement and there are *long* lines.  Ugh.  I went to the basement during the closing number of the first act to avoid the lines.  Therefore I missed "I'm where I wanna be" which is probably the signature song of the show

**** 

Race

They've cast Boop with a mixed race actress. I'm sure the MAGA crowd won't like this.  However, she did a great job.  She sings, dances, and acts.  She really looks like Boop. She knows how to sound like an early talkies recording.  She's very talented and pretty.  If you look at some of the early illustrations of Boop, it's not entirely clear that she's white.  Here are some images from the NPR website.  

Interestingly, the love interest for her in the show is white.


This article says she's black https://www.pbs.org/publiceditor/blogs/pbs-public-editor/betty-oops/ I hope the MAGA people don't take down the NPR website somehow.

There is no overt discussion of race in the show and the ensemble is diverse.  Hale, I believe, is Filipina.  Filipinos in general are gaining a reputation for great singing.

Sexual Harassment

Boop is shown dealing with sexual harassment at the hands of a corrupt mayoral candidate, Raymond, played by Erich Bergen.  I probably didn't really pay attention to the quality of his performance too much, because he was the villain of the show.  Still, he definitely held his own -- with a good clear voice.   

I was really glad to see how they dealt with sexual harassment.  You could see exactly how it goes, as Raymond tries to exploit her for his personal advancement, while preying on her, and not even letting her speak.  


Opera Glasses

Since I'm often in the back row, opera glasses are often helpful.  In the past, I used birding glasses, which are a bit stronger.  The opera glasses only have 3x magnification.  I'm not sure which I like better.  The opera glasses did help me see the performers' faces better -- tho it wasn't a huge change.  I found them fairly easy to use with glasses.

I couldn't use them and see the dance numbers, tho.  They give a narrow field of view.  To appreciate dancing, you need to see the whole stage.

Dinner beforehand

I went to dinner with a friend beforehand.  It used to be that if you went over to 10th Ave you could get a reasonably priced meal.  It turned out to be $65 just for my food alone.  Sigh.  Maybe I'll look on 11th Ave next time.  


****

I think I'm going to post this now & maybe add more later.  I often do that.


Definite spoiler

When they all get back to Betty Boop's world, things stay in color.  I'm not sure why they chose that option.  

BTW happy ending.


Some Instagram videos about this show



More videos on their Instagram account here https://www.instagram.com/boopthemusical/


Addendum April 9, 2025: I’m looking at a video of the love interest. I’m not sure why, but the actor they’ve chosen just doesn’t look sexy on the stage. There’s really nothing wrong with him. He’s a good singer. He’s a good dancer. He has a nice body. He just doesn’t have whatever that is — charisma. I wonder if that was intentional. He’s not supposed to outshine the star. But then you wonder why she falls for him so quickly.

Another great Boop video



Here's another great instagram video showing the Boop cast dancing on the street for a TV show.  One good thing about this video is that you can see the face of Boop's love interest & he's much more handsome than I thought after just seeing the musical


5/1/25. I’ve been following Jasmine Amy Rogers on Instagram. Apparently BOOP has now four Tony nominations: best actress, best performance by an actress in a musical, choreography, and costumes. Congratulations to them! And to think I was there on opening night!