Sunday, October 12, 2014

memorializing tweets between Josh & Kat & others

I updated this blog several times after starting it.  You can see each new update as headed by some asterisks

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Josh has been flirting with young female actresses on twitter for a long time.  I've tended to ignore it, but I'm memorializing this set of interchanges right now, because it looks like it might have developed into something.  First, the expanded conversation view, then just Joshes tweets to her.













Recent appearance together http://t.co/zjKVry9TAh (amazing number of flashes)

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Just for contrast, here's some tweets with another young performer





He actually tweeted this performer more than Kat, but there's not a video of them together, at least I don't know of one, but they tweeted back and forth enough that twitter apparently started behaving oddly with respect to them




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Now everyone is getting all excited about Josh appearing with Kat.  He's suddenly the featured item on Yahoo!


But let us not forget that only a few days ago he was photographed at another charity event with former girlfriend, January Jones


This photo is interesting in that he appears with January Jones in a photo with Brad Paisley &  Brad's wife, which makes them look like 2 couples.

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Here's another person who Josh has been tweeting along with some of her most recent tweets.








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Kat is rumored to be engaged to her boyfriend


who is reported to be Nick Zano


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Now, I can't say what is true here.  I am only remembering my impression, from when I was at the Americans for the Arts Awards in 2012, where Josh was honored.  After that event, I came away with the impression that Josh had engaged decoys, possibly even paid them, to distract us from who he was really with.  That's what I believed at the time.  Again, I can't say what is true.

That makes me suspicious that some or all of these women could be decoys again, but who knows?

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Here's someone else he tweeted a lot.  She uses her name now, Natalie Mooney, but she used to be Hot Mini Donuts and her twitter handle used to be diaper_wolf.  Josh apparently met her while touring in New Zealand.







I never used to take these extended twitter exchanges very seriously.  I thought these women were all decoys, because of my experience in 2012, but now I wonder whether he wasn't dating all of them.

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Well here's the link with actual footage of him calling Kat his girlfriend


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Addendum 10/20/14

Josh himself mentioned another woman he's been tweeting with













Thursday, October 9, 2014

NY Philharmonic 10/1/14

I went to my first concert of my new New York Philharmonic subscription. I had to get this subscription in order to see the concert on 9/17 that Josh Groban was in. 

That was a good concert, btw. I actually tried to record it, but I have a new recorder that I don't know fully how to operate and I somehow pushed the wrong buttons at the wrong time and got nothing. I’m glad someone else recorded it, but I’m still hoping for a DVD.  I haven’t blogged about it for personal reasons.

In any case, buying the subscription was a bit like taking cod liver oil for me. My history is that classical music gives me narcolepsy. Josh's music is different. It has the aspects of classical music that I like, without putting me to sleep.

I haven't quite figured out what puts me to sleep, whether it's certain chord progressions; or musicians who play technically correctly, but without passion; or whether there's something a bit muddy and confused about the conducting that makes the sound blurry and therefore exhausting; or whether there's something about the ventilation that allows too much carbon dioxide to accumulate.  Whatever the cause, I find the experience of struggling to stay awake in the face of narcolepsy unpleasant and sleeping in a concert embarrassing.

Nevertheless, I did notice something on 9/17 that piqued my interest.  The violins seemed to sound different from other orchestra concerts I've been to.  They had a clear, clean sound that I hadn’t heard before.  Now it could be that my hearing is different, but maybe not.  I was happy, tho, because that clean, clear sound was NOT putting me to sleep.

On 9/17 I was in the first tier, but far from the stage in the center back.  The sound there is good, but you can’t see much.  On 10/1, I was in the third tier, but very close to the stage.  This is a partially obscured view seat and you have to stand up and lean over the railing to see stage left, but I could see the violinists very well. 

I immediately noticed that maybe half of them were young Asian women.  I was imagining a bunch of little girls all getting put into Suzuki violin training at age 3.  When I looked around the rest of the orchestra, most of the people were white and often middle aged.  But in the violins there was this large number of young, Asian women. 

I feel that we can really hear the results now of all that early training.  This orchestra totally does not sound the way orchestras used to sound, or at least the way I remember.  It’s a big improvement as far as I’m concerned.  I was a very happy camper in this concert.

Now those of you have read this blog will know that that is not my usual case.  I am often discontent with sound quality issues in concerts.  This was unusual — and welcome.

Also the ventilation was excellent, so there was no issue of carbon dioxide buildup.

Because I was a new subscriber there was a personal letter to me, taped to my seat, from one of the violinists.  It asked me to wave to her, but she never looked up to where I was siting, so I couldn’t.  I did get out my binoculars to find her, so I would know who she was. 

I didn’t rush out to the stage door after the performance to find her, but I may write her a letter.

They also had a representative from the NY Philharmonic come and greet me personally.  I told her I want to hear Lucia Micarelli live before I die and that I’ve had cancer and don’t know how long I have to live.  She wrote down the name and said she would look into it.  She also gave me a nylon shopping bag that collapses into a carrying case and that says NY Philharmonic.

The composer was Nielson.  I hope I'm spelling that right.  This gentleman lived in the late 19th and early 20th century.  The music was what one would call modern classical, with a lot of what one might call experimental sounds.  

They were passing out buttons that said “I <3 Nielson.”  I took one.  I don’t know when I might wear it, but I did love it.  It was fun, never boring.

And the sound — to die for — so wonderful.

Sadly, the place was half empty, especially the third tier.  It was so empty that there was no line at the women’s restroom at intermission on the top floor. That’s really saying something.

That’s really sad.  The New York Philharmonic is now *so* much better than any other orchestra I’ve ever heard — thanks, I think, to all those Asian tiger moms who made their little girls study violin starting at age 3.

Sadly, too, there weren’t enough people in the audience to compel an encore, even tho those who were there were very enthusiastic.

I started out feeling like this was cod liver oil, but they won me over.  Now I’m really looking forward to going again.

So go!  Go to the New York Philharmonic!  It’s not what you expect, or at least it wasn’t what I expected.



Tuesday, September 30, 2014

The amazing tenacity of the Josh hagiographers

Oh, the amazing extent to which some Grobanites cannot tolerate for people to say anything other than hagiography to Josh continues!  Tweet images below in reverse chronological order

My notifications:



My timeline









Monday, September 29, 2014

More about the profanity tweets

So  I wanted to add the new messages to the previous blog, but I got confused looking through it, so I'm starting over here.  I'm going to have to look through the tweets below again, to see if I can make it less confusing.  It's so hard to capture conversations on twitter.

The conversations memorialized in these screen images were part of threads that were occurring partly simultaneously and it's hard to sort it all out.  When I try to pull up a conversation thread, the thoughts don't appear any more sequentially than they do on the timelines.

So I am just going to write about what all this is bringing up for me.

In my personal story, there is this history that I was inspired to study improv comedy after watching Josh co-hosting Live ! with Kelly.  I found his interactions with her to be positively delightful.  I wanted to learn how to do that.

When I got to improv comedy school, I seldom saw what I had seen between Josh and Kelly.  Instead, I saw a lot of crudeness -- and a lot of self-righteousness about being crude.  People do this, because they think it's funny.  I don't find it funny.  In fact, I'm finding the constant vulgarity, and notably the profanity, tho not only the profanity, is feeling more and more like a continual verbal sexual assault.

People who behave this way feel that they are rebels, rebelling against some kind of authority figure.  But, for me, they are the authority figures and I am the rebel.  I do not want to be bullied into behavior that would seem like selling out to me.

Most of these people are younger than I.  Josh's age, or younger.  Yet, even tho I am 57, they have mostly been studying comedy and performance longer than I have, so I am the new kid on the block.  And I'm feeling frustrated and put upon by them.

So that is the backdrop from my point of view behind my interaction with Josh.

When I first started out being a Grobanite, I thought that Josh must be very like me.  Like me, he had older parents, father with Jewish ancestry, mother with Protestant ancestry, and raised Episcopalian.  I thought that I liked his music, because we had this common cultural background.

Since being a Grobanite, I've found that lots of different people like Josh's music.  Moreover, I've found that his growing up in a public school in Los Angeles was quite different from me growing up in a midwestern university town and later a suburb of San Francisco 25 years earlier.  He has an entirely different vocabulary from mine, not just in the area of profanity, but also in many other respects.  I often have to run to the Urban Slang Dictionary website to understand what he is saying.

I had assumed he must have put some effort into learning urban slang to sound cool and that he must really have learned to speak the same English I had learned to speak.  But I realize now that his speaking urban slang is not an affectation.  He truly speaks a different language from me, at least in part.

Profanity is part of this.  I have noticed in my improv comedy school that these younger urban people seem to use the "f" word in virtually every sentence, sometimes several times in the same sentence.  In fact, they are using this word in place of "um."  They are educated enough to know that if they say "um" constantly they will sound stupid.  They suppose that if they say the "f" word, instead of "um," they don't sound stupid.

In fact it's the same thing.

For me, though, this constant use of the "f" word feels like a continual verbal sexual assault.   I feel traumatized by that.

I do not want to enter into Stockholm syndrome and start justifying the behavior of the people who are behaving in a manner I find painful.

Maybe some people in this conversation who just sound like they're lecturing Josh on his language are feeling what I'm feeling.  That this language is painful for them to listen to -- that it feels attacking and harassing.

Unfortunately, tho, when they phrase this as if it were merely an etiquette lecture, they bring out the etiquette nerds who feel that it is rude to criticize others, especially when the criticism seems to lack substance.

Of course, this ignores the fact that the self-righteous etiquette nerds are themselves criticizing the people who criticized Josh's language.  Apparently, it's ok to criticize other fans, but not ok to criticize Josh.

My experience is that Josh is open to meaningful dialog on all reasonable subjects.

My impression is that many people, like myself, grew up in dysfunctional families where criticizing the authority figure resulted in harsh treatment, or where heated dialog was punished.  As a result, they feel that criticism of Josh must be silenced.

Josh, on the other hand, does not appear to have grown up in a dysfunctional family like that and does not appear to approve of group efforts to silence critics.  I applaud that in him.

I have pointed out to Josh, and I hope he remembers, that I love him and want him to be the best person he can be -- and that I feel that his impressions of things can be tinged by the worship of sycophantic fans -- so I feel that the best way I can be helpful to him is to point out things as I see them.

I believe that we each have a responsibility to speak our own truths.

OK, now for a memorialization of the tweet images, below.  There may be some tweets on the previous blog that aren't below.  This might be because they were deleted, or it might be due to the mysteries of cyberspace.  I would encourage the interested reader to look at the immediately previous issue of this blog, where there are also tweet images.

First, my timeline:












Then my notifications













More notifications




More of my timeline

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It's still happening